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body art alliance address hanover md 29425 cpt 2020

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Body art alliance 576 likes 12 talking about this the body art alliance is the forging of 4 leading brands in the body art sector made up of fk irons

Body Art Alliance Overview

The body art alliance baa is a family of leading brands and companies that challenge and inspire each other to reach a new and exciting level this alliance was formed with the purpose of better serving the artist community through education best practices innovation research and development as well as superior customer service

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Twitter icon A stylized bird with an open mouth, tweeting. Twitter LinkedIn icon The word "in". LinkedIn Fliboard icon A stylized letter F. Flipboard Link icon An image of a chain link. It symobilizes a website link url. Copy Link

Drawing on yourself during class would usually land you into some trouble, but 21-year-old artist Jody Steel’s doodles have helped her create a huge following on social media — and a budding career.

“I noticed she was sketching during class—usually a no-no—but her work was so good as were her grades, ”Cynthia Miller, one of Steel's teachers, toldEmerson's newssite. “We just made a deal for her to show me what she’d done at the end of each class.” Miller recruited Steel to illustrate her award-winning anthology, “Steaming Into a Victorian Future, ” in 2012.

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But it wasn't until 2013, when Steel posted a photo of her portrait of "Breaking Bad"’s Walter White, that her social media status skyrocketed.

The photo received over half a million views on the photo-sharing websiteImgur.Steel continued to post photos of her body art, and received loads of media attention from outlets including CNN, Huffington Post, and the Steve Harvey Show.

Fans started messagingher on Facebook asking about her artwork. Steel, who majored in film, thought it would be a great idea to start recording her process. Now, she creates time-lapse videos of her artwork, and ends each video with her signature wink.

Axis: Bold Ass Love

While hervideos didn’t perform particularly well at first, they started picking up speed after beingreblogged about six months ago, and now her Facebook videos havehundreds of thousands of views. Since February, she's gone from around 11, 000 Facebook followers to half a million and counting.

But growing her social media presence was not based on luck. Steel strategically creates art based on popular culture, fan requests, and collaborations with other influential people. Examples include artwork inspired by "The Walking Dead, " "Superman, " "Batman, " "Mad Max, " and more.

So far, her success is paying off. Steel, who previously worked at a special effects studio, is focusing on herartwork full-time, primarily earning moneythroughYouTubeand from donations onPatreon, a crowd-funding site for artists.

The End Of An Era

Sheplans to move into traditional filmmaking for YouTube in the near future, in addition to her art videos. She’s hopeful that her fans will continue to show their support.

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Due to COVID19 i have no solid source of income and no way to get a job at the moment, so if you wanna help a fellow Queer artist, Im your woman!! If you're interested in commissioning me please get in touch and we can discuss the type of commissions you want, and I can make a custom listing for you.

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The Past, Present, And Future Of Body Image In America

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Best 6 Steps To Changing Careers And Becoming A Tattoo Artist

Many artists graduate from formal art programs adept in color theory, brush techniques, and composition—but don’t know the first thing about business.

How can artists sell art and paintings online? How will they market themselves? Making a living as a career artist means understanding how to build an audience, how to price art products, and the unique requirements for shipping art. It means thinking like an entrepreneur.

Before ecommerce platforms, artists relied on third party gallerists, agents, and retailers to distribute work. The creator tools and sales channels of today were nonexistent. Now, independent artists can own their distribution streams, creating and selling their art online—and on their own terms.

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For gallerists and curators, the shift in how we buy and sell in the past two decades has allowed these businesses to represent more artists and expand into selling affordable art prints online to reach larger audiences worldwide.

Whether you’re a creator or a curator looking to make money online selling art such as painting, this step-by-step guide is for you. No matter what type of art you’re into—original acrylic paintings, digital art prints, sculpture—this resource has actionable advice for every artist.

In the following sections, we’ll cover the basics of selling art online for beginners and seasoned artists alike. Explore topics for every level including working with printers and dealing with plagiarism.

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We consulted successful artists, curators, and gallerists for their advice on everything you need to know to sell your art online. In this guide to selling your own artwork, their anecdotes will be woven into practical and actionable advice for any creative entrepreneur. Let’s meet our experts.

Cat Seto is an artist and author, and founder of Ferme à Papier, a San Francisco–based boutique representing unique goods from independent designers. Her stationery has appeared in multiple publications and landed her partnerships with brands like Anthropologie and Gap.

Best known by her artist moniker Hatecopy, Maria Qamar quit her advertising career to focus on art when her pop art paintings began to catch fire on Instagram. Now she works full time on her art, selling her own paintings in multiple formats, from art prints to books to printed merch.

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Ken Harman is the man behind the art empire that includes Spoke Art, Hashimoto Contemporary, and publishing company Paragon Books. Together, these businesses represent many global artists through physical galleries, online shops, and pop-up exhibitions.

There are two ways to sell art online: create or curate. Cat built her career on both by creating and selling her own work and representing the work of others in her boutique. Which one is right for you?

As an artist, you are the creator, producing original art and/or reproductions of originals and selling directly to your customers or indirectly through a gallery, retail partner, or agent.

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It’s never been easier for artists to sell directly, with emerging creator tools popping up seemingly every day. Depending on your style and medium, choose a sales channel where your desired audience hangs out. This is arguably the easiest way to sell art online for many.

Maria runs her own online shop, where she sells art prints and merchandise, eliminating the middleman and keeping her costs low. But she also leans on relationships with experienced galleries for exhibiting and selling original artwork.

If you’re learning how to sell your art, note that galleries can expose your work to new audiences. They may also have access to resources and professionals to help promote, exhibit, handle, and ship artwork.

The Path To Purchase: Ecommerce Ux Best Practices

If you’re not personally an artist but you have a great eye and a love of the art world, you can still get into the game of selling art as a curator. Some artists may be disinterested in marketing or figuring out the best way to sell art online and instead rely on gallerists, curators, and retail partners to handle this aspect of the business. As a partner to artists, you make a percentage of the selling price in exchange for your business knowledge and service.

There are several ways to work with artists to sell their art online—be it selling originals or prints to licensing works to be printed on merchandise or used in publication. “Most galleries offer an industry standard 50% consignment split for original art, ” says Ken. “The artist provides the artwork, we do our best to sell it.”

The best way to sell your art online will depend on the nature of your art and your chosen medium. You may choose to sell your art, reproductions of that work, or both.

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Fine artists using classic mediums and selling at high price points may choose to only sell originals, for example, while digital art, which can be reproduced without loss of quality, is great for prints and merch. However, most art created in 2D mediums have multiple options for generating unlimited sales on a single work.

Some mediums, like sculpture, are more difficult to reproduce or use for merchandise applications. But for those impossible to scan and print, there are still ways to generate additional income from a single design. For example, clay works may use the same mold to generate similar pieces, and 3D designs can be created over and over with a 3D printer.

Reproducing art on t-shirts or mugs, or as art prints means that a single work can bear fruit indefinitely—or for a limited time. There are two ways to approach selling your art as prints: open edition or limited edition.

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Limited edition means printing only a certain number of prints before they are gone. These are often numbered and signed by the artist to add value and authenticity.

This print by Mike Davis has a limited run of 50 prints available on Spoke’s website, each of which is signed and numbered by the artist.

Spoke often opts for the limited edition strategy. “We work really hard to find things that are very special to sell. Things that

Tattoo And Body Art

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Brink (stylized as BRINK) is a first-person shooter video game developed by Splash Damage and published by Bethesda Softworks for Microsoft Windows, PlayStation 3 and Xbox 360 in May 2011.

In Brink, two factions, Resistance and Security, battle in a once-utopian city called The Ark, a floating city above the waters of a flooded Earth.

Brink is a first-person shooter with a strong focus on parkour-style movemt. Online multiplayer servers hold up to 16 players; players can play cooperatively or competitively, or against artificially-intelligt bots.

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By noting a player's position and predicting what they are trying to do, the system automatically navigates complex vironmts without interaction. By holding down the SMART button, a player will automatically clear obstacles without the need of complex button input from the player, like in Mirror's Edge. SMART automatically mimics adaptive parkour, similar to Prototype.

Players can customize their loadouts and buy special abilities with experice points, which are earned by completing objectives. The abilities that the player can buy for their character are either "universal" (abilities that the player will be able to use regardless of their class during a mission) and class-specific (abilities that the player can use only wh they are in that class). All characters in the beginning will have the "basic kits" of each class so that they can perform the esstial objectives only. The class-specific abilities that they buy, however, can hance their ability and their role in a certain class, pottially making objectives easier to complete and allowing for a greater gain in experice points.

The same experice points can be earned in both single-player and multiplayer, adding a special "online bonus" to the player's experice points after completing a mission online. Bethesda claims that players can create a total of 102 quadrillion unique character combinations, if minor variations are factored in.

Lifeline (video Game)

There are several appearance combinations that a character can have. One of the most significant appearance categories is body type. There are three distinct body types in Brink: heavy, medium, and light, and each have their own positive and negative qualities.

The Squad Commander system gives players context-ssitive objectives. A variety of factors—where the player is, how skilled they are, their overall mission progress, etc.—determine what objectives will be available. During both on- and offline play, the player can defd one of their faction's command posts or capture an emy's command post.

There are two types of command posts: health and supply. Each team will have a ctral command post where reinforcemts will start. That command post cannot be captured by the other team and any emy that tries will be killed by indestructible turrets. However, there will be a few health and supply command posts that can be captured. If a player captures a command post, it will buff all of their teammates' health or supplies. If a player buys certain abilities for their character, th upon capture they can upgrade the command post (an gineer's special ability) or firewall it (an operative's special ability).

Infamous (video Game)

An Objective Wheel shows the main objective in yellow and will show a checkpoint which the player will need to go to to achieve that primary objective. The primary objectives are esstial to completing the mission. Depding on what side the player is on and what mission the player is doing, there are only a certain amount of primary objectives that you can allow the opposing team to complete before you fail the mission. There are also secondary objectives. Secondary objectives are non-esstial to the mission but can make the mission easier to complete. These include capturing an emy's command post, constructing/destroying a barricade, hacking a door to flank the emy, or repairing a lift to provide an alternative route. Each player has an objective wheel in their invtory and will, on certain missions, be timed to achieve the goal that must be completed. Each Objective gives Experice points (xp) upon completion. During Game play the player earns experice and unlocks new abilities/custom gear to put on their custom character.

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Brink takes place in the near future during the mid-21st ctury on an artificial floating island called the Ark. Built during the years 2010s, it was conceived as an vironmtally and economically self-sustainable city, a contemporary model for gre, ecological living. However, global warming lead to a dramatic rise in sea levels around the world, causing most of the known land masses to disappear and civilization to collapse. Decades later, the Ark has become a place for refugees coming from all around the world as they view the innovative island as the only suitable place to survive. The Ark is now home to ts of thousands more people than it was originally meant to sustain, and its supposedly rewable resources and technologies are being drained to the extreme limit. Now, the Ark exists in total isolation and has lost contact with the outside world, with many people believing that the tire planet has be submerged by the oceans completely. Most of the refugees live in tight spaces arranged from rusty shipping containers and wreckage, constantly having to deal with extreme poverty and degradation while the original inhabitants of the Ark, the Founders, reside in its luxury districts. These frictions have caused a civil war to begin, betwe the revolutionary forces of the Resistance and the military troops of the Ark Security.

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The Resistance is led by Brother Ch, a name that the Resistance affectionately uses for him. Joseph Ch played a significant part in the Ark's design and construction. However, he became angry at the Founders' and Security's decision to ration water and isolate the Ark's refugees from the rest of the island while Security and the Founders live in relative wealth. Ch armed and founded The Resistance, a group of well-trained refugees, and demanded that the Founders share the Ark's resources, and water, equally. The Resistance's goal in Brink is to protect refugees from Security forces, distribute Ark's resources to those in need, and to establish contact with the outside world. The Resistance agrees with Ch that the Founders and Ark Security are corrupt and oppressive, and that only the people from the outside world can help them overcome the ever increasing hardships of the Ark's situation.

Ark Security is led by Captain Clinton Mokoa. Security's point of view is very differt from that of the Resistance, whom they view as terrorists with dangerous ideas and goals that could evtually destroy the Ark. Ark Security's goals in the game is to stop Ch and his terrorist plots, protect the Ark's remaining resources (and maintain control over them), and to preserve the Founders' vision of a self-sustaining island. Captain Mokoa believes that the rest of the world is in far worse shape than the Ark, and that it would be too dangerous to establish contact with them. At one point in the game, he tells "classified" information to Ark Security, revealing that there is an outside world, and that years ago the Founders st out Ark represtatives to try to make contact with it, only for them to be captured and tortured to death by the outsiders, who wanted to know the Ark's location to raid it.

The player will choose one of these two factions. While each level is the same regardless of the factions for which the player fights, the goals of each side will be differt, and the plot-point revolving around each level will be differt. For example, in one level, if the player fights for Security, the goal will be to break into a bio-weapons lab and steal a viral bomb that could infect the Ark's inhabitants so that they can launch a counter measure. However, if playing for the Resistance, the goal will be to procure a vaccine from the greedy Founders and Security so that it can distributed fairly among all of the Ark's inhabitants.

Knack (video Game)

Regardless of the player's allegiance, the ding shows the smoking aftermath of the battle betwe the two factions. Spotting the carnage, a boat driv by outsiders head towards the Ark, as the narrator (revealed to be on the boat, scoping the Ark with a model city), who appeared in the intro, speaks about the uncertain future of the Ark,

At QuakeCon 2010, Splash Damage announced Brink's digital pre-order bonuses for several digital retailers in North America as well as Asia. These bonuses will help expand the players starting customization options, with the Doom (GameStop), Fallout (Best Buy), Psycho (Amazon.com and Direct2Drive) and Spec Ops (Walmart and Steam) packs. The "Doom" and "Spec Ops" packs are both available in Nordic retailers.

All the pre-order bonuses were later made available to purchase. In the United Kingdom, GAME released a "special edition" which, while costing more than the normal edition, included the Spec Ops and DOOM packs.

Dead Space (2023)

The first and only downloadable contt (DLC) for Brink, released on 3 August 2011 for the

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Carolyn sue nicholson 1 event december 27 1946 march 30 2023 76 years old tomball texas send flowers share your support light a candle illuminate their memory carolyn sue nicholson obituary we are sad to announce that on march 30 2023 we had to say goodbye to carolyn sue nicholson of tomball texas born in shreveport louisiana

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Obituary on saturday december 26 2020 sue g nicholson age 100 passed from her earthly home into the loving arms of her heavenly father who she loved and served faithfully each day of her life she was born march 20 1920 to the rev james jefferson gray and sarah shipman gray in the holly springs community of henderson county

There are no events scheduled gerald thomas nicholson 77 husband of sue nicholson of greenville passed away on friday september 22 2017 he was the son of the late riley and willie mae nicholson gerald was a captain at the parker district fire department for 30 years and a mason he was of the church of god faith

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Find the obituary of sue nicholson 1973 2020 from shippensburg pa leave your condolences to the family on this memorial page or send flowers to show you care make a life giving gesture

Sue was preceded in death by her parents and a brother arthur nicholson funeral arrangements are under the direction of fry gibbs funeral home of paris graveside services are 10 a m monday july 15 at long cemetery for sue kelley of powderly sue was born september 15 1953 in monahans to wanda tucker nicholson and alvin nicholson she

Possible relatives for sue nicholson include theodore nicholson thomas nicholson bridget deptula and several others a phone number associated with this person is 775 945 1743 and we have 2 other possible phone numbers in the same local area codes 775 and 479

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Body art is often permanent though some body art can be removed body art can pose a risk to both the artist also called a practitioner and the client receiving the art the greatest risks are from local infections at the site of the body art the spread of infectious diseases and specifically the spread of bloodborne pathogens or diseases

Sara emma samford born nicholson was born on month day 1861 at birth place texas to peter edward nicholson and mary emerett nicholson born sharp mary was born on january 17 1834 in sandusky co ohio

December 4 1957 january 27 2021 hastings resident marcia sue nicholson 63 passed away wednesday january 27 2021 at mary lanning healthcare hastings ne memorial services will be 2 p m friday february 5 at butler volland chapel in hastings with chaplain john mueller officiating burial will be at sunset memorial gardens

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Sue nelson is a fine artist who paints irish landscapes and abstracts inspired by the sea and the natural world around us limited edition prints are also available to purchase sue nelson of reimagine prints also encapsulates irish creativity through her graphic prints

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Stray Cat Film Center is an artist-run non-profit media arts organization and neighborhood microcinema space. Stray Cat is dedicated to offering our community film programming that reflects the diversity of voices and visions in cinematic expression and using cinema as a conduit to inspire, educate and explore.

Driven by artists and community leaders from the Troost Corridor and the east side of Kansas City, Blackbox on Troost hosts community theater performances, learning workshops, cross-disciplinary media collaborations and more. Cynthia Hardeman, former Neighborhood Artists Resident and Founder of Drama Time, will lead the ongoing transition from the NAR residency site into a community performance space.

Kansas City Public Theatre provides access to the arts through year-round theatre entertainment free of charge to the public. This mission is carried out in two activities: first, through producing aesthetically and ideologically diverse new works and reimagined classics which reflect the unique history and concerns of the Kansas City community; and second, to cultivate civic-minded artists, audiences, and citizens through community-based devised theatre workshops. By providing quality theatre productions free of charge to the public, Kansas City Public Theatre envisions theatre as an essential cultural good which should be fully accessible to all members of the community.

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Kansas City Society of Contemporary Photography (KCSCP) is an artist centric organization. They focus on providing opportunities for photographers to exhibit and promote their photographic work in Kansas City and surrounding areas. KCSCP offers a minimum of four exhibits a year with no boundaries put on what type of work can be submitted so long as it be founded in some way on a photographic process. They have several members working in alternative processes, so KCSCP intends to offer more programing featuring those mediums–wet plate, cyanotype, digital collage and printing to unusual substrates are of interest to members and non-members alike. KCSCP offers workshops and demonstrations and plans to create an atmosphere of collaboration with the Northeast neighborhood and greater community by offering talks and hands-on experiences that are appealing to various ages.So many exhibitions to visit this Spring from Sweden, Australia and the UK to California, Washington and New York — and two in Connecticut. Check them out.

Beauty and the Unexpected Modern and Contemporary American Crafts National Museum Södra Blasieholmshamnen 2 Stockholm, Sweden March 30, 2023 – January 21, 2024

National Museum has invited Helen W. Drutt English, pioneering craft educator and gallerist of American Modern and Contemporary Crafts since the 1960s, to assemble a collection of objects drawn from the field of “American Crafts.” The selection of 81 works from the 1950s until today will in future enrich National Museum’s collections and will provide a possibility to look at American Crafts in the Nordic context.

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International Textile Art Biennale (Fibre Arts Australia) Emu Park Art Gallery EMU Park 13 Hill Street Queensland, Australia From April 15 – June 10, 2023

Overflow by Neha Puri Dhir, stitch-Resist Dyeing on Handwoven Silk (Diptych), 95 x 128cm 95 x 32cm, 2022. Photo by Neha Puri Dhir

The International Art Textile Biennale (IATB) seeks to exhibit the best of contemporary art textiles and invited submissions, from Australia and Internationally, that reflect a wide range of works related to the textile medium. Thirty-five artists were selected to participate, including Neha Puri Dhir. The works are exhibited at various locations throughout Australia.

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This exhibition takes paper out of the two-dimensional into a world that is fantastical, intricate, colorful, and personal. Inspired by the materiality of paper and the metamorphic quality of the papermaking process,

Explores paper in pulp, cast, folded, and cut forms.The exhibition includes artwork by several artists located in New England: May Babcock, Erik and Martin Demaine, Andrea Dezsö, Tory Fair, Hong Hong, Fred Liang, Michelle Samour, Heidi Whitman and browngrotta artistWendy Wahl.

Will enter the woven world of ikat, a complex textile pattern that knows no borders. Presenting over 100 textiles from the museum’s global collection with gifts and loans from a dedicated Seattle-area collector,

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is an introduction to the meticulous and time-honored processes of dyeing threads to create complicated hand-weaving. Contemporary work in the exhibition includes tapestries by Polly Barton and James Bassler, and an extraordinary installation by Rowland Ricketts.

provides a window into what is currently engaging fiber artists, even as this discipline continues to evolve and change. Emanating from artists’ studios in Southern California, the exhibition offers unique perspectives on the complicated identities of fiber art as a genre. Collectively they offer a penetrating examination of fiber’s possibilities. Exhibiting artists include Jim Bassler, Cameron Taylor-Brown, Ben Cuevas, Mary Little, Michael F. Rohde, and Carol Shaw-Sutton.

In the ’60s and ’70s, the Polish artist Magdalena Abakanowicz created radical sculptures from woven fibers. They were soft, not hard; ambiguous and organic; towering works that hung from the ceiling and pioneered a new form of installation. They became known as the “Abakans.” Many of the most significant Abakans are brought together at the Tate Modern in a forest-like display in a 64-meter long gallery space.

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The exhibition explores this transformative period of Abakanowicz’s practice when her woven forms came off the wall and into three-dimensional space. With these works she brought soft, fibrous forms into a new relationship with sculpture. A selection of early textile pieces and her little-known drawings are also on show.

Wordplay: Messages in Branches & Bark Flinn Gallery: Greenwich Library 101 West Putnam Avenue Greenwich, CT March 30 – May 10, 2023

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I’m in confession, and the priest and I have been talking for two hours. I chose to take this sacrament face to face and avoid the anonymous dim, smelly confessional booth with the scowling Angry Jesus picture that I remember from my youth. It’s been over 30 years since my last confession and they call it “reconciliation” now. The luxury of this personal approach is the allowance of time. After reviewing my entire adult life Father Tom, a kindly septuagenarian, and I veered off into other philosophical topics. With nothing more to confess, he asked about robbery and murder. I assumed he was joking and I denied the claims.

“Oh, no problem. If you want to talk more, just give me a call.” With that, Father Tom escorts me out of the Jesuit parish rectory and into the late spring evening.

I drive home in silence. The sun slips behind the Smoky Mountains. I thought confession, an unburdening of the soul, would feel more cleansing. I don’t feel particularly lightened. My hospital identification badge is still clipped to my dress. It lies heavy on my chest.

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Have you ever killed anyone? The question unnerves me. I’m a nurse. I’m a healer. I’m supposed to help people. Uncomfortable memories suddenly surface: patients, colleagues, and situations I haven’t thought about for years rush back.

I remember pushing my fingers into a baby’s chest for 20 minutes, but none of the pressure would bring him back to life. I remember standing next to a little girl with a Do Not Resuscitate order, watching lines on her monitors flatline. I remember the stunned grief of the mother who was told we weren’t going to start dialysis on her son because his overall condition was too grave and the dialysis would be futile. There were others: too many children we couldn’t save, too many parents we couldn’t console.

I grasp at images and feelings, feebly articulating what I’m thinking. But the pictures are gauzy and my words are clumsy. “I don’t know. How are we defining killing?”

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Mirage dies a few weeks after my confession to Father Tom. Mirage is part of a herd of horses near my house. I ride one of his herdmates, Sundrop, and I consider Mirage to be one of my own. A majestic Tennessee walking horse, he is the alpha and at 29 years old is still going strong except for a little arthritis. On a Tuesday morning Mirage slips in the pasture and can’t get up. His leg is broken. The woman in charge of the horses that day brings the herd up late for their breakfast; she is busy with upcoming trail rides. The people running the barn don’t do a head count. No one notices he is missing.

Four hours later a kayaker spots a black horse alone in the field, struggling to rise. He calls the barn. The vet arrives first. Mirage is dehydrated. He has baked in 80-degree heat for four hours, suffering with a broken leg. He is put down immediately. His owner can’t get there in time. She couldn’t say goodbye.

Mirage’s former owner is my riding instructor, and she erects a shrine in his stall at the barn. We lesson students bring things for the altar: pictures, his halter, his bit and bridle. The black toy horse I bought him for his birthday joins the offerings. We huddle together under the barn lights and share Mirage stories.

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I’m uncomfortable watching her cry. Something in me stirs and I open my arms to her. She sags into them, sobbing harder. Hugging her, I feel like a traitor to Mirage, but the woman’s pain seems genuine. My riding friends remain immobile during this exchange. I hope these are not crocodile tears.

I’m back at the rectory entrance waiting for the solid oak door to open. I trace the outline of the slate patio with my shoe. The door hinges creak. Father Tom appears at the threshold and ushers me back into the same moss-green room as before.

“It’s not really a fair question to ask a health care provider. I’m a nurse. People die on me all the time. One Christmas our NICU lost seven babies in 10 days, and five of those assignments were mine. I’ve turned off ventilators and unhooked IVs. I’ve done CPR on a baby but couldn’t get the heart beating again. As a nurse practitioner I’ve been part of discussions where we decided to discontinue care or not get things started. I put my cat down because she only had months to live and I wanted her to die on my schedule before she got worse. Does any of this make me culpable of killing?”

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My boss calls me at home on a January evening. He’s a physician but I call him Fred. He’s a kind, quiet man and one of few words. “We have a new consult. NICU.” “Okay. Do you need me to come in?”

“Polycystic kidney. We don’t know how bad but if it is, we need to plan for PD catheter. I’m arranging with the surgeons.” He sighs.

Amadeo’s kidneys have cysts, bubbles of fluid that formed in his kidneys while he grew from an embryo to a baby. These fluid-filled cysts expanded, encroaching on the rest of the kidney, pushing the normal tissue out of the way and making the kidney bigger. Amadeo drew the unlucky straw of having cysts in both kidneys. His kidneys and lungs jockeyed for space in his tiny abdomen but the kidneys, being the heavyweight, won the fight and squished his lungs high into his upper chest. The lungs didn’t have room to grow and thus didn’t develop properly. Amadeo was born with kidneys too big and lungs too small.

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There was a time in the not-so-distant past when these babies would die at birth because the lungs couldn’t breathe, the kidneys wouldn’t work, or both. Not breathing is an obvious cause of death, but without kidney function there is no way to urinate. Without urine, excess fluid and toxins build up in the body. Potassium goes up. Blood pressure goes up. The heart beats faster trying to rid the body of the extra fluid but to no avail. The heart floods and the body drowns in a sea of toxic fluid. Exhausted, the heart gives up. Death comes shortly after. But not now. Now we can take out Amadeo’s kidneys and start him on dialysis to give the lungs room to develop and do their job — breathe.

Since Fred is talking to the surgeons, I know the plan: dialysis. Through a combination of biology, chemistry, and physics, dialysis will work in place of his kidneys. First, a surgeon will place a flexible plastic tube in his abdomen. A nurse will infuse a special fluid of water, sugar, and electrolytes through that tube and into Amadeo’s belly. The fluid will mix with his blood and this mixture will pass back and forth across his peritoneum, which acts like a membrane. Good things like blood and protein will stay in the body while waste products and extra water go out. He’ll do this every day until he’s big enough to be transplanted with a kidney, at least two years from now. Until then infection, poor growth, and death are among some of his constant threats. Amadeo has a long, rough, uphill, twisting road ahead of him.

This newborn intensive care unit is my old territory. This unit molded me into the nurse practitioner that I am today. These white walls, scuffed linoleum, and overhead lights cradled me as a nursing student. I chose to work here after graduation and I learned how to be a nurse among the rows of incubators and monitors. This NICU is where I observed my first delivery, performed my first CPR, witnessed my first death, administered my first postmortem care. I no longer work as a unit nurse here but my friends are still around.

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“DK. You here for Amadeo?” My friend Bobbie catches me in the hallway. She is one of the nurse practitioners. She was my preceptor when I was a student and is one of the reasons I chose to work in the NICU.

Bobbie leads me to Amadeo and we join Sue, another friend and Amadeo’s outgoing night shift nurse. “Hi honey, ” she says, stifling a yawn.

Amadeo looks up at us. He’s a tiny baby boy with chocolate eyes and raven curls. “You guys doing dialysis?” asks Sue.

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Dialysis stresses everyone. The mere suggestion of it causes much hand-wringing. I know why the nurses are anxious. Fred and I are a new team together, just over two years. His predecessor didn’t do much, if any, dialysis. With volume comes experience and with experience comes proficiency. We’re going to do dialysis on a baby in a unit where there’s been no volume, thus no experience and certainly no proficiency. I saw dialysis once when I worked in the unit, and it wasn’t with the equipment we’re going to use. This combination of a new modality and inexperience threatens everyone’s confidence.